Chinese interior design master, where are you?
The gap between China's interior design and developed countries is getting smaller and smaller, and it is just around the corner. However, we will also face the severe challenges after joining the WTO, and we will also see the worrying situation of Chinese interior design. What are the characteristics of Chinese interior design? Where is the advantage? Where is the boutique? What is the future development path? This has to cause us to reflect and look forward to.
China's interior design has developed rapidly in the past 20 years, and the gap with developed countries is getting smaller and smaller, and it is just around the corner. However, we will also face the severe challenges after joining the WTO, and we will also see the worrying situation of Chinese interior design. What are the characteristics of China's interior design? Where are the advantages? Where is the boutique? What is the future development path? This has to cause us to reflect and look forward to. The following is a hole in the status quo and future of China's interior decoration design, please ask experts and experts to enlighten me.
First, call for interior design boutique
In the 20 years of reform and opening up, China’s fixed asset investment has reached an unprecedented peak. Super high-rise buildings of more than 100m and super-large buildings of more than 30,000 baht have sprung up on the land of China. According to incomplete statistics, nearly 10,000 ultra-high-sized buildings have an annual output value of 200 billion yuan, providing a platform for Chinese architects and interior designers to show their talents. However, due to the quality of the designer and the problems of the government's management, most of the interior design of the building is shoddy, with no features, no connotation, no improper color matching, or a disorganized shape; it is not lack of cultural connotation, or lack of function. Nowadays, the problems in the art of interior design mainly include the following aspects:
1. Plagiarism
There is a big copy of the article in the world, and the interior design also has the problem of “a big imitation of the world designâ€, which has become a quirk of the designer.
One is plagiarism in style. The European style of the hard-moving set, the classical of randomness, the Chinese style of non-destructive, and some more serious take the whole disk, completely without its own characteristics. For example, some hotels imitate Hong Kong's Grand Hyatt, some hotels imitate Shenzhen's sunshine, Fuyuan and so on.
The second is plagiarism on the material. Moreover, the sky, the ground and the wall are copied at the same time, so the most imported materials in China in the past ten years are large white, Spanish beige, Shaanna beige, silver beige, American white stone and beech, red shadow wood, cherry wood, reaching flooding. The point of disaster.
The third is plagiarism on the shape. Somewhere there was a trendy and upscale decoration project, everyone swarmed and plagiarized. After the opening of the Beijing International Club, many hotel projects imitated its materials, shapes, colors and greenery. In the Chinese construction market, foreign designers have been leading the trend of Chinese architectural decoration. In the long run, Chinese designers will be even more backward and have no market foothold. Plagiarism is actually a self-deception.
2. Interior designer's comprehensive knowledge is poor
Another problem with the interior decoration in China is that most designers have poor comprehensive knowledge and high-end engineering encounters inappropriate designers. According to incomplete statistics, more than 80% of the high-end restaurants designed by Chinese designers are not reasonable. 60% of the hotels are in urgent need of transformation, which has caused serious waste and brought bad reputation to Chinese designers. It is worth our reflection.
The main common problems of hotel design are several aspects:
First, heavy decoration and light design: the heaven and earth walls are piled with high-grade and luxurious decorative materials, the interior space is dead, the crafts are not in place, the furnishings are unreasonable, and the colorful world is not created, only the feeling of the hollow space is given. .
The second is heavy decoration, light function: only the pursuit of the surface of the look and feel, do not pay attention to the use of features. It is not that the service radius of the main station is not in place, that is, other functions are not available; it is not convenient to use the bathroom, that is, the working status of the room power switch is not normal; it is not that the color matching in the room is unreasonable, that is, the sound insulation effect is not in place. Some hotels have caused a serious loss of passengers due to poor sound insulation. There is also a hotel to show the luxurious style of the multi-purpose hall, only the area inside the hall, but because there is no front hall of the multi-purpose hall, the main passage and the evacuation port are not enough area, every meeting will be complained by the guests, affecting the entire hotel. reputation.
The third is re-shape, light culture: many interior decoration styles are pieced together from multiple buildings, no advanced ideas, can not stand the time to scrutinize. From the day of completion, it has been out of date. Only designs with cultural heritage and unique style will never fall behind. Material, spiritual and artistic are clearly the framework of the entire culture, and the architectural culture is no exception. For the architectural decoration culture, the choice of materials is only the material culture of the most basic level. The expression of art is only a coat in the decorative culture system. The language that truly controls the architectural decoration culture is the language of the architectural decoration itself. The thing that gives us is the space of the concept of time and space - this is the spiritual culture of architectural decoration. The core is to convey the designer's understanding of the spiritual culture of each building and the regional and different life tone.
3. China's interior design products are rare
There are also many objective factors. First, the management of the government is not in place, and the cultivation of talents is not emphasized. Now the qualifications of interior designers have not been resolved. Second, there are vicious competitions in the market that violate the objective laws of design, and no one is in charge. Usually designed as a five-star hotel, the construction party only gives 30 days and 2% design fee, or even less. Third, the construction team is shoddy and there are many tofu slag projects. The above various factors have caused China's architectural decoration projects to be rare and worrying.
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The gap between China's interior design and developed countries is getting smaller and smaller, and it is just around the corner. However, we will also face the severe challenges after joining the WTO, and we will also see the worrying situation of Chinese interior design. What are the characteristics of Chinese interior design? Where is the advantage? Where is the boutique? What is the future development path? This has to cause us to reflect and look forward to.
China's interior design has developed rapidly in the past 20 years, and the gap with developed countries is getting smaller and smaller, and it is just around the corner. However, we will also face the severe challenges after joining the WTO, and we will also see the worrying situation of Chinese interior design. What are the characteristics of China's interior design? Where are the advantages? Where is the boutique? What is the future development path? This has to cause us to reflect and look forward to. The following is a hole in the status quo and future of China's interior decoration design, please ask experts and experts to enlighten me.
First, call for interior design boutique
In the 20 years of reform and opening up, China’s fixed asset investment has reached an unprecedented peak. Super high-rise buildings of more than 100m and super-large buildings of more than 30,000 baht have sprung up on the land of China. According to incomplete statistics, nearly 10,000 ultra-high-sized buildings have an annual output value of 200 billion yuan, providing a platform for Chinese architects and interior designers to show their talents. However, due to the quality of the designer and the problems of the government's management, most of the interior design of the building is shoddy, with no features, no connotation, no improper color matching, or a disorganized shape; it is not lack of cultural connotation, or lack of function. Nowadays, the problems in the art of interior design mainly include the following aspects:
1. Plagiarism
There is a big copy of the article in the world, and the interior design also has the problem of “a big imitation of the world designâ€, which has become a quirk of the designer.
One is plagiarism in style. The European style of the hard-moving set, the classical of randomness, the Chinese style of non-destructive, and some more serious take the whole disk, completely without its own characteristics. For example, some hotels imitate Hong Kong's Grand Hyatt, some hotels imitate Shenzhen's sunshine, Fuyuan and so on.
The second is plagiarism on the material. Moreover, the sky, the ground and the wall are copied at the same time, so the most imported materials in China in the past ten years are large white, Spanish beige, Shaanna beige, silver beige, American white stone and beech, red shadow wood, cherry wood, reaching flooding. The point of disaster.
The third is plagiarism on the shape. Somewhere there was a trendy and upscale decoration project, everyone swarmed and plagiarized. After the opening of the Beijing International Club, many hotel projects imitated its materials, shapes, colors and greenery. In the Chinese construction market, foreign designers have been leading the trend of Chinese architectural decoration. In the long run, Chinese designers will be even more backward and have no market foothold. Plagiarism is actually a self-deception.
2. Interior designer's comprehensive knowledge is poor
Another problem with the interior decoration in China is that most designers have poor comprehensive knowledge and high-end engineering encounters inappropriate designers. According to incomplete statistics, more than 80% of the high-end restaurants designed by Chinese designers are not reasonable. 60% of the hotels are in urgent need of transformation, which has caused serious waste and brought bad reputation to Chinese designers. It is worth our reflection.
The main common problems of hotel design are several aspects:
First, heavy decoration and light design: the heaven and earth walls are piled with high-grade and luxurious decorative materials, the interior space is dead, the crafts are not in place, the furnishings are unreasonable, and the colorful world is not created, only the feeling of the hollow space is given. .
The second is heavy decoration, light function: only the pursuit of the surface of the look and feel, do not pay attention to the use of features. It is not that the service radius of the main station is not in place, that is, other functions are not available; it is not convenient to use the bathroom, that is, the working status of the room power switch is not normal; it is not that the color matching in the room is unreasonable, that is, the sound insulation effect is not in place. Some hotels have caused a serious loss of passengers due to poor sound insulation. There is also a hotel to show the luxurious style of the multi-purpose hall, only the area inside the hall, but because there is no front hall of the multi-purpose hall, the main passage and the evacuation port are not enough area, every meeting will be complained by the guests, affecting the entire hotel. reputation.
The third is re-shape, light culture: many interior decoration styles are pieced together from multiple buildings, no advanced ideas, can not stand the time to scrutinize. From the day of completion, it has been out of date. Only designs with cultural heritage and unique style will never fall behind. Material, spiritual and artistic are clearly the framework of the entire culture, and the architectural culture is no exception. For the architectural decoration culture, the choice of materials is only the material culture of the most basic level. The expression of art is only a coat in the decorative culture system. The language that truly controls the architectural decoration culture is the language of the architectural decoration itself. The thing that gives us is the space of the concept of time and space - this is the spiritual culture of architectural decoration. The core is to convey the designer's understanding of the spiritual culture of each building and the regional and different life tone.
3. China's interior design products are rare
There are also many objective factors. First, the management of the government is not in place, and the cultivation of talents is not emphasized. Now the qualifications of interior designers have not been resolved. Second, there are vicious competitions in the market that violate the objective laws of design, and no one is in charge. Usually designed as a five-star hotel, the construction party only gives 30 days and 2% design fee, or even less. Third, the construction team is shoddy and there are many tofu slag projects. The above various factors have caused China's architectural decoration projects to be rare and worrying.
1 2 3 Next Page
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